

Hill's, David Lee's and John Fenner's art direction does a fine, sometimes exceptional job of capturing this scope, celebrating and, with the help of production designer Kirk M. Cooper's, Mike Werb's, Michael Colleary's and Simon West's video game-inspired story, because it is so formulaic, convoluted, disjointed, superficial and, well, if you will, stupid, but it is dynamic, with a fun, if somewhat campy narrative behind an adventurous scope whose approach can make or break the entertainment value of this film. Man, I really don't want to direct that much compliment to Sara B. The final product will fail to endear for so very many, but if you are willing to check your brain in and take this film for what it is, while entertainment value is challenged by the stupidity, it does thrive, even in concept, to a certain extent.

At the same time the film has plenty of entertainment value, and that really gets it by, at least as decent, but it's hard to have all that much fun with something this generic, disjointed, superficial and altogether silly. Really, looking through all of the missteps, in its basic nature, this film is so popcorny, with a heavy emphasis on action to drive the progression of the plot, until sense behind the action is lost in the wake of overwrought style, not compensated for by a cornball telling of a simultaneously convoluted and superficial plot, thus making for a film with plenty of laziness and no resonance. The storytelling attempts to maintain some sort of extensive tension, suddenly and jarringly broken by comic relief which is made all the more aggravating by a consistency in sheer genericism and predictability, sometimes further exacerbated by a cheesiness that never leaves the storytelling, even with the tension that thrives on contrived and ludicrous atmospherics and happenings. Storytelling gets to be seriously disjointed, tossing characters and plotlines about to exacerbate a sense of convolution, and never really coming down to any sense of nuance to distinguish the characters, or their place in the story, amidst all of the action that seems to not be fluffy enough for writers Patrick Massett and John Zinman. Overblown and improbable in its juggling so many themes and happenings that converge somewhere along the way, this film's story is convoluted, and yet, so much about it is so simple, and that stresses the silliness and contrivances, until the plot becomes near-senseless, with a lack of focus that is exacerbated by a lack of coherency. Financially, I'd say it paid off, but critically, on the other hand, definitely not so much, and really, while I think that the film is reasonably entertaining, I can see where some people are coming from.Īs an early 2000s action-adventure popcorn piece, this film is not much of anything new, following the same style and lame score, and lazily manufacturing a very typical plot formula that, no matter how overdone, is still a little hard to figure out. Come to think of it, Jolie didn't really start getting dramatic until well after this film, so maybe her being disowned by the respectable Voight name was daddy's idea, but now that Voight can't afford to only do the heavy stuff, he and Jolie are going to have to take the commercial train together. whose fanbase is largely focused on hard-hitting dramas like "Midnight Cowboy", or "Deliverance", or "Coming Home", or a bunch of other stuff that only Jon Voight has been in. Jolie finally had to face up to being Jon Voight's daughter, so, naturally, this is big-time fan service to fans of the Voight family.
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Shoot, on top of that, it took Indy until his third movie to hang out with an old James Bond, and on her first movie, Croft hangs out with Daniel Craig at one point, well before he was James Bond, which isn't to say that this film didn't commit some form of fan service at the time of its release. even if she is a hot British chick with a great deal of wealth, and advanced, video game-grade combat skills. that is filled with ancient artifacts of great power which is pursued by the Illuminati.Yeah, well, other than that, Lara Croft is not as cool as Indiana Jones. Why, I just can't believe that Angelina Jolie could possibly condone grave robbing! Seriously though, Indiana Jones raided the lost ark, and all this chick is raiding is some old tomb.
